book review · Annihilation
Annihilation
2026-07-28 · 3 min read
This is Lovecraftian cosmic horror filtered through something closer to a fifties creature-feature sensibility, and it’s a genuinely strange combination that shouldn’t work as well as it does. The biologist narrator descending into Area X with a team of women identified only by their professional roles gives the whole thing an anonymized, almost clinical distance that makes the horror land harder when it actually shows up, not less.
I’ll admit I had to look a few things up to fully track what was happening by the end, and I don’t think that’s a failure of the writing so much as a deliberate choice, the book is far more interested in mood and dread than in ever resolving what the Tower actually is or what the words growing on its walls mean. If you go in wanting a clean explanation you will not get one, and I mean that as a genuine warning, not a tease, this book will not close its own loop for you.
Where it earns the comparisons to Alien that keep getting thrown at it is in pacing more than plot, a slow tightening dread rather than jump scares, the sense that every character is being changed by the environment in ways they can’t fully perceive in themselves. I waffled between real boredom and a kind of low-key fascination through the middle stretch, which I think is by design, the book wants you disoriented the same way its narrator is. I’m looking forward to the rest of the trilogy specifically because this one ends on more questions than it started with, and for once that felt like the right call rather than a cheat.